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200ml Black & Rust with flowers kyusu with ceramic strainer [Syouhou Kiln]

200ml Black & Rust with flowers kyusu with ceramic strainer [Syouhou Kiln]

$106.00

This traditional "Tokoname" [see below] Japanese ceramic teapot is specially designed to brew green tea. The word "kyusu" translates as “teapot" and is commonly used to refer to a teapot with a side handle. This beautiful hand crafted black Kyusu is sourced direct from the SYOUHOU studio in Tokoname Japan and is perfect for one person. Holding 200ml of tea it has a ceramoc strainer over the spout, so that even the finest tea leaves won’t come out. This is especially useful as Japanese teas can contain very small leaf particles.

About the SYOUHOU Kiln

- Kiln : SHOHO / SYOUHOU Kiln ( 昭萠 窯 )

- Name of Master : Keikichi KOIE ( 鯉江 桂吉 )

- Year & City of Birth : Born in 1945 in Tokoname City, Aichi Prefecture.

- Education : [ not stated ] (Normal for his generation, he perhaps trained at some pottery(s) in the Tokoname production area.)

- Awards (excerpt) :

* Accepted for Exhibition of Japanese Sencha Kogei
* Accepted for Japan Crafts Exhibition
* Accepted for Asahi Modern Craft Exhibition
* Winner of Prefectural Governort Prize at Hokkaido Ceramics Exhibition
* Cultural Promotion commendation from the City of Tokoname 

- Signature style of tea pots : 'He originally made pottery on a potter's wheel, but due to an injury to his arm, he switched to slurry casting. The teapots he makes combine the delicacy of potter's wheel and the structural properties of slurry casting. His pottery style emphasizes modernity rather than tradition, and incorporates many new, especially decorative techniques that are traditionally not found in Tokoname pottery production area'

To learn more about the different types of Tokoname Teapots including which may be the best choice for your tea you can read our blog here 

Tales of the Tea Trade : Tokoname

Rob : Extract from our our book Tales of the tea trade :  

The Tokoname region as it is considered the teaware capital of Japan. This area’s link with pottery dates back to 1100 and is believed to be the oldest in Japan. However, it wasn’t until the start of the Edo period (1603–1868) that this area became important. In early times it focused mostly on vases and jars, but this period also produced the early matcha bowls in the form of yama-chawans (mountain tea bowls). These were coarsely finished bowls with little refinement, but beautiful in their simplicity.

Today Tokoname is famous for its redware teapots (kyusu), introduced in the early 1860s. Other teapots for green tea had been produced from early in the nineteenth century in Tokoname, but this new style became very popular. Again it was influenced by China, whose own redware teapots were the typical teaware used at this time. The name comes from the deep red, iron-rich clay from which it is made. Its use in Japan had a big effect on Tokoname’s ceramic industry, with an influx of new potters who specialized in making redware teapots. This was helped by the visit of a Chinese potter called Jin Shi Heng who, in 1878, was invited to teach Chinese techniques for making teapots, greatly accelerating development and increasing quality. This, combined with a period of rapid industrialization, eventually meant mass-production hit Tokoname towards the end of the nineteenth century, with much small-scale domestic production replaced with industrial-scale manufacturing. However, Tokoname today is a place of great diversity, incorporating both small and large-scale manufacture.

There are three possible forms of Tokoname teapots, categorized according to where the handle is sited. A yokode kyusu has it on the side, an ushirode kyusu has it at the back and an uwade kyusu has a handle on the top. The most typical modern type is the yokode kyusu, which is the one we use at Comins. This style can be traced back to the end of the Song dynasty (960–1279) in China for the preparation of powdered tea. It has been adapted perfectly over time to meet Japanese needs, incorporating a fine mesh to prevent the fine particles of tea from coming out. Each one is balanced according to the potter’s preferences. Customers often comment how simple yet effective their design is, not knowing that the concept has not really changed in 900 years!


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