280ml yōhen (窯変) brown clay kyusu with etched lines, plum blossom (梅) engraving and sesame filter [Gyokuryu Kiln]
DESCRIPTION
This beautiful hand crafted 280ml yōhen (窯変) brown clay kyusu with etched lines, plum blossom (梅) engraving and sesame filter [Gyokuryu Kiln]
Yōhen (窯変) The brown colour of the pot and the warm flecks that you see on the surface are caused by the Yōhen effect (窯変 - kiln change or flame colour change) They are created and influenced by the specific firing conditions of the kiln . The kilns temperature fluctuates through the firing turning the Shudei clay brown and causing small variations. The positioning of the piece within the kiln also has an effect on the final pot. Sometimes the potter will add additional materials such as sawdust in which the pots are partially buried during firing.
SPECIFICATION
Capacity : 280ml
About the Gyokuryū Kiln
Name of Master : Jirou UMEHARA ( 梅原 二郎 )Born in Tokoname City, Aichi Prefecture in 1948 as the 2nd son of the first GYOKKO [another famous kiln in Tokoname]
Education : * in 1967 he graduated from Tokoname High School Ceramics Department before starting Gyokuryū kiln in 1975
Notable Awards :
*Certified "Traditional Craftsman" by Minister of Economy, Trade & Industry
*Selected for the Japanese Sencha Crafts Exhibition
*Tokoname City "Cultural Promotion" Award
*Tokoname City Chosa Prize Ceramic Ind Exhibition Chosa Prize, Encouragement Award
Signature style of tea pots : This kiln that makes teapots that are easy and comfortable to use and make delicious tea. Gyokuryū teapots have a neat form and a high degree of design with incredible consistency in quality
All about Tokoname
A short history : The Tokoname region is considered the teaware capital of Japan. This area’s link with pottery dates back to 1100 and is believed to be the oldest in Japan. However, it wasn’t until the start of the Edo period (1603–1868) that this area became important. In early times it focused mostly on vases and jars, but this period also produced the early matcha bowls in the form of yama-chawans (mountain tea bowls). These were coarsely finished bowls with little refinement, but beautiful in their simplicity.
The events that shaped Tokoname teaware :Today Tokoname is famous for its redware teapots (kyusu), introduced in the early 1860s. Other teapots for green tea had been produced from early in the nineteenth century in Tokoname, but this new style became very popular. Again it was influenced by China, whose own redware teapots were the typical teaware used at this time. The name comes from the deep red, iron-rich clay from which it is made. Its use in Japan had a big effect on Tokoname’s ceramic industry, with an influx of new potters who specialized in making redware teapots. This was helped by the visit of a Chinese potter called Jin Shi Heng who, in 1878, was invited to teach Chinese techniques for making teapots, greatly accelerating development and increasing quality. This, combined with a period of rapid industrialization, eventually meant mass-production hit Tokoname towards the end of the nineteenth century, with much small-scale domestic production replaced with industrial-scale manufacturing.
Tokoname Today : Today Tokoname is a place of great diversity, incorporating both small and large-scale manufacture - something reflected in our selection of pieces. It is still best known for its iconic brick-red clay called shudei [朱泥 - vermilion clay]. It should be noted that honshudei (本朱泥 - real/true shudei) the original clay - is now rare [as we have seen on our trips] - many potters use modern formulations that approximate its colour and effect on tea profile. As well as shudei there are many other types of clay in use in modern day Tokoname including Koudei [yellow], Ryokudei [green] and Kokudei [black]
Why use a Tokoname Teapot? The vibrant colour of shudei comes from its rich iron content which is said to react chemically with the tannins in green tea resulting in a mellow cup. Tokoname ware is also unglazed & naturally porous - a characteristic which is said to enable absorption of impurities from water - making for a smoother cup.
Styles of Tokoname Teapot There are three possible forms of Tokoname teapots, categorized according to where the handle is sited. A yokode kyusu has it on the side, an ushirode kyusu has it at the back and an uwade kyusu has a handle on the top. The most typical modern type is the yokode kyusu, which is the one we use at Comins. This style can be traced back to the end of the Song dynasty (960–1279) in China for the preparation of powdered tea. It has been adapted perfectly over time to meet Japanese needs, incorporating a fine mesh to prevent the fine particles of tea from coming out. Each one is balanced according to the potter’s preferences. Customers often comment how simple yet effective their design is, not knowing that the concept has not really changed in 900 years!