Cart 0
310ml Yōhen (窯変) Bani/Tobikanna (飛び鉋) Shudei Tokoname Hira-Kyusu with sesame filter [Gyokko Kiln]

310ml Yōhen (窯変) Bani/Tobikanna (飛び鉋) Shudei Tokoname Hira-Kyusu with sesame filter [Gyokko Kiln]

£85.00

DESCRIPTION

This beautiful hand crafted Tokoname-yaki sesame filter Yōhen kyusu is decorated with the Bani / Tobikanna (飛び鉋) technique is from the highly respected Gyokko kiln

Yōhen (窯変) The warm flecks that you see on the surface are caused by the Yōhen effect (窯変 - kiln change or flame colour change) They are created and influenced by the specific firing conditions of the kiln - the kilns temperature fluctuates through the firing - and the positioning of the piece within the kiln.  Sometimes the potter will add additional materials such as sawdust in which the pots are partially buried during firing.

Bani / Tobikanna (飛び鉋) is a decorative technique achieved by applying a metal tool to a slip-coated surface while the ceramic turns on the potter’s wheel, As the tool lightly bumps & skips across the clay, it cuts into the slip to create a repeated rhythmic pattern. 

Sasame filters are a handcrafted ceramic mesh which are carefully pressed directly into the spout by hand.  They have many tiny holes so are less likely to clog if brewing finer leaf teas

SPECIFICATION

Capacity : 310ml  

About the Gyokko Kiln

Kiln : GYOKKO Kiln ( 玉光 窯 )
Name of Master : Hirotaka UMEHARA ( 梅原 廣隆 )
Born year and city : Born in 1946 in Tokoname City, Aichi Prefecture.
Education : After graduating from Tokoname High School Ceramics Department, he trained under his father, the predecessor Gyokko.

Signature style of tea pots : This highly respected kiln is manned by the master potters of the Umehara family.  They make handmade pieces & by dividing work between multiple craftspeople they make consistent, beautiful work on a larger scale. On our last visit we were very honored to be invited by Hirotaka Umehara to take a seat & watch him make a kyusu step by step. 

He makes his pots using the “Tamabiki” method where each piece is individually weighed and matched for weight before being thrown on the wheel. Hirotaka Umehara kindly demonstrates each step in making the beautiful kyusu this kiln is famous for. Each piece is carefully stamped to distinguish from imitations

Hirotaka UMEHARA has independently developed new pottery clays such as white clay and green clay, as well as colorful liquid clays for painting teapots. He has several styles of teapots that are unique to him, such as flat teapots and large teapots and creates pottery in pursuit of what modern consumers truly want, which is reflected in his works.

In the showroom we see the prize certificate ‘awarded to those who have served in the public service of the national or local government or in public affairs for many years and have made outstanding achievements’ 

Notable Awards 

* The title holder of the Master of Traditional Crafts
* Selected for the Japan Traditional Crafts Association Exhibition
* Choza Prize at the Choza Prize Ceramics Exhibition
* Chairman's Award : Ceramics Assn at the Ceramics Ind Promotion Exhibition
* Received the Order of the Sacred Treasure Single Light 

All about Tokoname

A short history : The Tokoname region is considered the teaware capital of Japan. This area’s link with pottery dates back to 1100 and is believed to be the oldest in Japan. However, it wasn’t until the start of the Edo period (1603–1868) that this area became important. In early times it focused mostly on vases and jars, but this period also produced the early matcha bowls in the form of yama-chawans (mountain tea bowls). These were coarsely finished bowls with little refinement, but beautiful in their simplicity.

The events that shaped Tokoname teaware  :Today Tokoname is famous for its redware teapots (kyusu), introduced in the early 1860s. Other teapots for green tea had been produced from early in the nineteenth century in Tokoname, but this new style became very popular. Again it was influenced by China, whose own redware teapots were the typical teaware used at this time. The name comes from the deep red, iron-rich clay from which it is made. Its use in Japan had a big effect on Tokoname’s ceramic industry, with an influx of new potters who specialized in making redware teapots. This was helped by the visit of a Chinese potter called Jin Shi Heng who, in 1878, was invited to teach Chinese techniques for making teapots, greatly accelerating development and increasing quality. This, combined with a period of rapid industrialization, eventually meant mass-production hit Tokoname towards the end of the nineteenth century, with much small-scale domestic production replaced with industrial-scale manufacturing.  

Tokoname Today : Today Tokoname is a place of great diversity, incorporating both small and large-scale manufacture - something reflected in our selection of pieces.  It is still best known for its iconic brick-red clay called shudei [朱泥 - vermilion clay].  It should be noted that honshudei (本朱泥 - real/true shudei) the original clay - is now rare [as we have seen on our trips] - many potters use modern formulations that approximate its colour and effect on tea profile.  As well as shudei there are many other types of clay in use in modern day Tokoname including Koudei [yellow],  Ryokudei [green] and Kokudei [black]

Why use a Tokoname Teapot? The vibrant colour of shudei comes from its rich iron content which is said to react chemically with the tannins in green tea resulting in a mellow cup. Tokoname ware is also unglazed & naturally porous - a characteristic which is said to enable absorption of impurities from water - making for a smoother cup.

Styles of Tokoname Teapot There are three possible forms of Tokoname teapots, categorized according to where the handle is sited. A yokode kyusu has it on the side, an ushirode kyusu has it at the back and an uwade kyusu has a handle on the top. The most typical modern type is the yokode kyusu, which is the one we use at Comins. This style can be traced back to the end of the Song dynasty (960–1279) in China for the preparation of powdered tea. It has been adapted perfectly over time to meet Japanese needs, incorporating a fine mesh to prevent the fine particles of tea from coming out. Each one is balanced according to the potter’s preferences. Customers often comment how simple yet effective their design is, not knowing that the concept has not really changed in 900 years!


Share this Product


You might also like...